16 feb 2013

Upcycled Playground in Malawi's hospital by Sakaramenta


Sakaramenta is a social enterprise producing push and bicycle carts.
It is based in Blantyre, Malawi, and founded in 2009. Sakaramenta produces 5 different carts to transport patients, goods and other supplies behind the bicycle. The bicycle cars are designed according to high Dutch quality standards, at the moment 21 people are employed.

The reason to start up this business, is a believe in creating employment, stimulating entrepreneurship and local production in the best of way of bringing development to a country.
Getting things from A to B is not always easy in Malawi. The weather, shortage of fuel and quality of roads make carrying goods and people a though job. Sakaramenta takes the challenge to solve these problems.
Furthermore they make play ground, school and hospital equipment. Like glides, swings, school desks, trolleys. The focus point are: simple, strong and sustainable. All the parts can be maintained locally. Them workshop is in Blantyre, experienced and well educated staff are making high quality products.



The last project is born from an idea by Peter Meijer, founder and managing director of Sakaramenta. He has created a kids' playground on the site of a local hospital.
The simply wonderful intervention considers its site, introducing a scrapped ambulance, repurposing it as a playground clubhouse, with an integrated - where children patients (and grown-ups) can play having a fun together. Independent research concludes that playgrounds are among the most important environments for children outside the home. Most forms of play are essential for healthy development, but free, spontaneous play—the kind that occurs on playgrounds—is the most beneficial type of play.

More info

photo credit Sakaramenta

 

 

 



15 feb 2013

Support Hariyo Chowk, a urban garden and outdoor community space in Kathmandu



The Sattya Media Arts Collective are creating a collaborative movement to transform the rapidly urbanizing city of Kathmandu, Nepal, with Urban Farming and Environmental Education.
They have set out to transform a vacant site into a modern adaptation of a traditional chowk, or town square. Dubbed Hariyo Chowk which means, "Green Commons" in Nepali, the project has served as a place to learn and share tips for urban greening and ways to create a socially sustainable future for Kathmandu.

Hariyo Chowk has been made possible with a multifaceted team of passionately dedicated people knowledgeable about sustainable architecture, design, organic farming, photography, and media. The 'green square' has come into fruition with help from dozens of volunteers that have supported them since they began in the Spring of 2012.
So many people have helped them bloom to where we are today, however now they need your help with a final round of fundraising for Hariyo Chowk. To support this initiative let's go on Indiegogo web campaign and donate!




Hariyo Chowk has has spent the last 8 months creating them own green space, a hub for the community to learn and practice sustainable gardening and building. They have been working resourcefully with existing contributions and will be celebrating our grand opening in March 2013. 

They are envisioning a new season to begin in April, in which they want to grow in two specific ways:
- First, to become financially self-sustained within Kathmandu. The team plans to make this possible by selling plants and seed at markets, forging relationships with local organizations, and hosting affordable workshops, events, film screenings and even parties.
- Second, the project seeks to make Kathmandu greener through guerrilla gardening, maintaining existing public green spaces, helping people start community gardens, and starting a seed bank and library of native plant knowledge.

More info

photo credit Sattya Media Arts Collective

 

 

 

 
 




14 feb 2013

"Examples to follow! – expeditions in aesthetics and sustainability" arrives in Sao Paolo, Brazil



After stops in Mumbai, Addis Ababa and Beijing, the exhibition "Exemplosa Seguir! Expedições em estética e sustentabilidade (Examples tofollow! – expeditions in aesthetics and sustainability)" is coming in Sao Paulo, Brazil which marks its 10th venue since originating in March, 2010 in Germany.
The exhibition will open on 21th February at Galeria Marta Traba,Memorial da América Latina, it brings in Brazil unprecedented exhibition, whose theme is the depletion of energy, climate change and the imminent decline of biodiversity in the world. The exhibition is a "cry" of consciousness for humanity, especially after the poor results of Rio +20.

Examples to Follow! aspires to encourage awareness of the cultural and aesthetic dimensions of sustainability. Over forty works represent the fields of art, design, architecture, and technology, and range from objects made out of recycled products, a project that matches needy Europeans with foster families in Africa or Asia, to a floating island on which fresh, potable water can be produced. The project curator Adrienne Goehler has selected the artists that dissolve the boundaries between activism, art and inventions that connect the experiences of environmental initiatives, with their artistic approach. Tereza de Arruda, is curator for Brazil, lives and works in Berlin.




They are part of the exhibition the following international artists: Ravi Agarwal (IND), Jennifer Allora & Guillermo Calzadilla (US | CU), Néle Azevedo (BR), Joseph Beuys (GER), Richard Box (GB), Gerhard Bär (GER), Ines Doujak (A), Olafur Eliasson (DK), Galerie für Landschaftskunst (GER), Dionisio González (E), , Hermann Josef Hack (GER), Henrik Håkansson (S), Folke Köbberling & Martin Kaltwasser (GER), , Christian Kuhtz (GER), Jae Rhim Lee (KR | US), Till Leeser (GER), Sarah Lewison (US), Marlen Liebau | Marc Lingk (GER), Rudolf zur Lippe (GER), Ma Yongfeng (CHN), Petra Maitz (A), Renzo Martens (NL), Ayumi Matsuzaka (JP), Gerd Niemöller (GER), , Dan Peterman (US), , Clement Price-Thomas (US), Dodi Reifenberg (IL | GER), Gustavo Romano (AR), Michael Saup (GER), Ursula Schulz-Dornburg (GER), Dina Shenhav (IL), David Smithson (US), Robert Smithson (US), Superflex (DK), The Yes Men (US), Wang Jiuliang (CHN), Xing Danwen (CHN), Yang Shaobin (CHN), Zwischenbericht (GER). From Brazil are invited Marlene Almeida, Sonia Guggisberg, James Kudo, Shirley Paes-Leme and José De Quadros.

"Exemplos a Seguir! Expedições em estética e sustentabilidade "
Group show.
Curator: Adrienne Goehler and Tereza de Arruda
Opening: February 21, 2013 - 19h.
Duration: February 22 to April 7, 2013
Location: Galeria Marta Traba, Sao Paulo, Brazil 
Free Entry

More info


 

 

 



13 feb 2013

Announcing the Economics of Happiness Conference 2013 in Byron Bay, Australia



After the success of the first conference held in March 2012 in Berkeley, California, the not-for-profit organization ISEC - InternationalSociety for Ecology and Culture - is hosting the second international Economics of Happiness Conference in Byron Bay, Australia - March 15-17, 2013. The conference is an annual event of the global grassroots movement whose mission is to promote systemic solutions to today’s environmental, social and economic crises led by ISEC, which has also led to the production of the corresponding documentary in 2011.

"The Economics of Happiness conference will focus on the multiple benefits of localisation, an economic strategy that can take us away from jobless growth towards sustainable livelihoods; from giant, unaccountable corporations towards human-scale business; from self-recrimination towards empowerment; from competition to collaboration; from a globalised system of exploitation and pollution towards an economics of human and ecological well-being, or 'an economics of happiness'".




The interactive program will consist of plenary sessions, workshops, and social and creative time, participants will have a rare opportunity to learn from and share with some of the foremost leaders in the worldwide localization movement. The conference also offers the chance to make new connections, build on current projects and find new inspiration.

This event will bring together a unique international group of speakers, each one acclaimed for their vision, activism, wisdom, and leadership. These include:
Vandana Shiva (India), activist, physicist, feminist and the author of Earth Democracy: Justice, Sustainability and Peace and Staying Alive: Women, Ecology and Development.
Bill McKibben (USA), founder of 350.org and author of numerous books, including The End of Nature and Deep Economy.
Donnie Maclurcan (Australia), co-founder of the Post Growth Institute, and author of Nanotechnology and Global Equality.
Michael Shuman (USA), the author of Local Dollars, Local Sense and one of America’s leading localists.
Christian Felber (Austria), author of numerous best-selling books, and a leading theoretician of the Common Welfare Economy.
And more, you can see the program here.

The 2012 conference was a life-changing event for many involved, and the Economics of Happiness Conference 2013 promises to be even better.

More information
theeconomicsofhappiness.org


12 feb 2013

A dialogue between architecture and nature, in interaction with the Northern Lights




The Northern Lights Cathedral (Norwegian: Nordlyskatedralen - AltaKirke), situated in the Norwegian Alta Municipality approximately 500 km north of the Arctic Circle, was even before the inauguration perceived as a symbol and an architectural landmark for the entire area. It appears as a solitary sculpture in interaction with the spectacular nature.

In 2001, when the architecture competition for the Cathedral was arranged, the city council in Alta did not just want a new church: they wanted an architectural landmark that would underline Alta’s role as a public venue from which the natural phenomenon of the northern lights could be observed.
The church was built in 2012-2013, it was consecrated on 10 February 2013. It is the latest in a row of cultural projects designed by schmidt hammer lassen architects. 


“The Cathedral of the Northern Lights is in its design a result of the surrounding nature and local culture. The building is a landmark, which through its architecture symbolizes the extraordinary natural phenomenon of the Arctic northern lights,” explains John F. Lassen, Founding Partner at schmidt hammer lassen architects. He continues: “The cathedral reflects, both literally and metaphorically, the northern lights: ethereal, transient, poetic and beautiful. It appears as a solitary sculpture in interaction with the spectacular nature.”
The significance of the northern lights is reflected in the architecture of the cathedral. The contours of the church rise as a spiralling shape to the tip of the belfry 47 metres above the ground. The façade, clad in titanium, reflects the northern lights during the long periods of Arctic winter darkness and emphasizes the experience of the phenomenon.

Inside the main area of the cathedral, which can accommodate 350 people, the church room creates a peaceful contrast to the dynamic exterior of the building. The materials used, raw concrete for the walls and wood for the floors, panels and ceilings, underline the Nordic context. Daylight enters the church room through tall, slim, irregularly placed windows. A skylight lights up the whole wall behind the altar creating a distinctive atmosphere in the room.

More info:

photo credit © schmidt hammer lassen architects.
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11 feb 2013

Baguette table by Studio Rygalik


Two days ago was pubblished a post about the start-up Culinary Misfits, today take again the topic "food waste" with Studio Rygalik of Warszawa, Poland.
They realized a new project, the starting point is a statistical fact: food thrown away in Vienna could feed half of the population of Graz. This was presented for the first time at the Vienna Design Week.
"It was also to show that the materials to build from are all around us. The tables were made from stale baguettes that were supposed to be thrown away".
These bread structures were part of a "bread experience" created by Gosia and Tomek Rygalik, the founders of the Studio, at the Design Week Laboratory, where people were surrounded by bread, eating bread dishes from bread tables.

In their series of "Baguette tables", they cut the french bread to varying lengths, their exposed ends leveled to create the table tops, the longer pieces providing support and stability, functioning as multiple legs, as well as providing some tasty, visual appeal.
Studio Rygalik aims to develop a wide variety of limited edition projects for companies, that maintain a good balance between the commercial and the experimental.


Studio Rygalik develops a wide variety of comprehensive projects. The focus is on furniture, products and spaces. The scope is wide – from design, development and implementation of new products to site-specific installations and production of limited editions, as well as objects, dining experiences and workshops that explore the relations of design, food and eating.

More info:

photo credits © Nick Albert /Kollektiv Fischka

 

 





10 feb 2013

Sunday's Tale - Kaarina Kaiakkonen: memorable suspended clothes installations


Sunday's Tale: a post from the past
Using hundreds of second-hand shirts Finnish environmental artist KaarinaKaiakkonen creates site-specific installations suspended above roadways or inside large warehouse spaces.
Her last work “Are We Still Going On?” was conceived in 2012 at Collezione Maramotti, a private collection of contemporary art in Reggio Emilia, central Italy. The large installation follows and accompanies the compositional structure of the building, a former clothing manufacturer Max Mara now the seat of the collection, an interesting example of brutalist and organicist architecture from the 1950’s. The artwork involves hundreds of children’s shirts hung in rows, it consists of two symmetrical structures that evoke the skeleton of a large boat. For the selection of colors that define the two complementary structures, the clothes suggest a symbolic dialogue between the masculine and the feminine.

Kaarina Kaiakkonen has always been sensitive to environmental issues, the distinctive feature is the use of simple materials, such as molded kraft paper, and second-hand clothing. She says: "Usually I use even bad things that people throw away because no longer required. This is important in my work, I do not want to use expensive materials and precious because I think that anything of value. It is a form of respect for life and especially the poor. I also believe that not throw what belongs to us also means do not throw away their roots. "




In Kaikkonen’s works, objects become alive and speak to us of stories, of people. They also – and specifically – talk of her. They evoke frailness, but also hope and regeneration. They seem to evoke in viewers an emotional, personal experience, and at the same time a sort of mirroring, an identification in the community. The big installations represent a community of passing-through voices, in a dialogue with nature and social spaces, in their being the story of each and every one; a story openly conveying a universal feeling each of us may identify with, and draw what is perceived most intensively.
Alongside the monumental features of her works – always strongly imbued with the environmental and architectural elements surrounding them – there is also a core linked to the impermanence and frailty of materials somewhat pointing back to the frailty of human beings.

More info




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